Spread Art

Artist Brunch: Sister Sylvester Work In Progress & Artist Talk

Join us for an artist brunch work in progress showing and get a first look at the latest work from Sister Sylvester, a Brooklyn-based collaborative theater company in residence with Spread Art as they create Come From There. 

Sunday April 14th 11:00am until 1:00pm

Get Directions

Come From There is a piece being made simultaneously in Turkey and in the USA. The piece is a search for stories and forms, for a time where the defining paradigm is a sense of un- belonging, of rootlessness, of being between cultures. Two directors - one in Turkey the other in the US - have set each other a series of challenges around this problem. In the first phase of the project they will work independently in their respective countries to create two performances, and in the second they will meet in both New York and Istanbul to combine their work and co-direct a final piece.

The piece is an attempt to wrestle with this sense of un-belonging through the lens of three performance makers from the previous generation, each of whom invented forms that became iconic to their place and time. The work of these three performers: Spalding Grey, Ethyl Eichelberger, Reza Abdoh, is the foundation of what we do as a company, and to this genre called ‘performance’ that we are a part of. We want to use the forms they created to see if they can hold contemporary stories – or to find out what we need to do to subvert and adapt these old forms for our contemporary reality. Working with an ensemble cast on what - in the case of the first two - are solo performances gives us the opportunity to complicate the single narratives, exploding these forms with new stories, and creating a performance for our times.

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Sister Sylvester uses performance to investigate the fictions—personal, political, and social—that are built up through language and habit, and remain largely unquestioned in social identity and discourse. Since 2008, they have made work in both site-specific venues as well as in theaters, keeping an investigation of the audience-performer relationship at the heart of their practice.

www.sistersylvester.org

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Thank you to Cathy Schneider & family, owners of the Izzy's building, for their ongoing support of the Detroit arts community & Spread Art.

Sister Sylvester - Detroit Artist Residency Exchange 2013

Spread Art invited New York City based theater group Sister Sylvester to Detroit for a 10-day residency retreat to work on their next project: Come From There.  

Sister Sylvester - April 5th - 14th 



Sister Sylvester is a Brooklyn-based collaborative theater company that uses performance to investigate the fictions—personal, political, and social—that are built up through language, and the dynamics of power that are created within those fictions.  Since 2008, we have made work in both site-specific venues as well as in theaters, with a constant theme of investigating the audience-performer relationship at the heart of our practice.  We've made work that is part performance and part rave, in an abandoned convent in Greenpoint; staged work in the cosmic-cavern installation space of artist Kenny Scharf; led audience members through freight elevators and into an old archive library for an immersive re-imagining of The Iceman Cometh. And we have developed work, such as our production Boxman, based on the novel of Kobo Abe, which are built of games and patterns rather than a set choreography, and are able to tour to a different venue every night and adapt to the new environment.  We also work in theater spaces: most recently a month-long run of a new work at Dixon Place, and performances at Center for Performance Research in Brooklyn.

PROJECT: COME FROM THERE

Come From There is a piece being made simultaneously in Turkey and in the USA. The piece is a

search for stories and forms, for a time where the defining paradigm is a sense of un- belonging, of

rootlessness, of being between cultures. Two directors - one in Turkey the other in the US - have set each other a series of challenges around this problem. In the first phase of the project they will work independently in their respective countries to create two performances, and in the second they will meet in both New York and Istanbul to combine their work and co-direct a final piece. Our piece is an attempt to wrestle with this sense of un-belonging through the lens of three performance makers from the previous generation, each of whom invented forms that became iconic to their place and time. The work of these three performers: Spalding Grey, Ethyl Eichelberger, Reza Abdoh, is the foundation of what we do as a company, and to this genre called ‘performance’ that we are a part of. We want to use the forms they created to see if they can hold contemporary stories – or to find out what we need to do to subvert and adapt these old forms for our contemporary reality. Working with an ensemble cast on what - in the case of the first two - are solo performances gives us the opportunity to complicate the single narratives, exploding these forms with new stories, and creating a performance for our times.

About Detroit Artist Residency Exchange:

Spread Art's Detroit Artist Residency Exchange invites international, national and regional artists to Detroit to develop, create, collaborate, perform, exhibit, present, discuss their work and to engage in the artistic community of Detroit. Spread Art is currently working with numerous Detroit organizations to provide performance, workshop and exhibition opportunities for visiting artists

Upcoming Performance: July 28 "You Are Here"

Remote Control Tomato (Thomas Bell and Christina deRoos) will perform Saturday 7/28 from 3pm - 7pm at Secret Project Robot (Brooklyn, NY) as part of the You Are Here Festival (aka The Maze)). Six projectors!!!

The ‘You Are Here’ festival, takes place in New York City approximately once every two years. The festival consists of 4 weeks of performance and time- based arts events in a life size maze installation.

 

 

Trouble, Sam Hillmer and Laura Paris – the art duo responsible for ‘You Are Here’ - designs and builds an actual maze into a gallery space accompanied by light, projections, sound, sculpture, and of course, a myriad of performance and time-based arts events.

The ‘You Are Here’ festival interrupts the performance rituals of the arts communities it inhabits. Artists who present are, primarily, members of these communities. Audience members arrive at ‘You Are Here’ with the intention of catching a particular presentation, but intentions are frustrated and transformed by the labyrinthine construction the festival provides. Artists and audiences alike are invited to question the expectations that arise around performance in the context of community.

Performers this year include Laurel Halo, Miho Hatori's New Optimisim, Ann Liv Young, Dustin Wong, Hunter Hunt Hendrix, Noveller, Mick Barr, Jack Quartet, Lucky Dragons, JG Thirlwell, Babycastles, Extralife, and many others...

Read more here.

 

Interview: Playground Detroit

Thank you, Playground Detroit, for the interview & profile of Spread Art and our new location in Detroit. 

SPREAD ART CREATIVE INCUBATOR RELOCATES TO DETROIT FROM BROOKLYN

PLAYGROUND DETROIT sat down with the duo behind the organization, Thomas Bell and Christina de Roos, to ask them about Spread Art and their recent re-location from Bushwick, Brooklyn, to Corktown, Detroit. The two are originally not from Detroit, or NYC, both growing up elsewhere.

PD: When was the first time you visited Detroit? What was your experience and impression of the city like?

Spread Art opening new 4000 sq ft creative center in Detroit

 

104 Meserole St. -- Spread Art Brooklyn.
Jan 2008 to July 2012

After 4 and ½ years of successful exhibitions, events, workshops, and residencies, Spread Art has wrapped up activities at 104 Meserole Street in Brooklyn as of July 1st 2012.  It has been an amazing time with many wonderful memories and we would like to thank all of the artists who were a part of Spread Art’s events, exhibitions and residencies during our time in Brooklyn.  As one door closes however,  another is opening and in a big way.  Spread Art has moved its headquarters to Detroit and has taken on a much larger physical space. This transition enables Spread Art to continue working in collaboration with artists and spaces throughout Brooklyn and New York City, while also expanding operations and activities in Detroit.

 

Spread Art Detroit - 2572 Michigan Ave
-- July 2012

In January 2012, Spread Art laid down roots in Detroit’s creative Southwest district and now occupies a new 4000 sq ft creative space available for residencies, workshops, classes, events, performances and exhibitions. The new Spread Art location is housed in a 3- story turn of the century storefront space on Michigan Ave and 18th St in the historic Corktown neighborhood, minutes from downtown and two blocks away from the renowned Michigan Central Station.

Co-Directors, Thomas Bell and Christina deRoos are hard at work getting the new space set up and ready for use.  The ground floor offers an 900 sq ft light filled multi-use space space with a full wall of mirrors that is perfect for dance, yoga and other social gatherings. In addition to 20 ft ceilings the ground floor storefront offers two rather large window installations that will certainly be changing often.  The downstairs space is comprised of a 1600 sq ft gallery and performance space with an 18ft bar, projector and sound system, a 350 sq ft residency room,  750 sq ft of studio space, a bathroom, washer and dryer and the Spread Art offices.

Over the next few weeks we will be announcing our residency opportunities beginning in the  fall of 2012, updating our website and posting information about new partnerships that are developing with organizations in Detroit.

The former Spread Art location at 104 Meserole is in the exceptionally creative and capable hands of Esther Neff and Brian McCorkle of Panoply Performance Laboratory, and Valerie Kuehne of SuperCoda.  Esther, Brian and Valerie were the final three Spread Art ‘Artists-In-Residence’ at the 104 Meserole St location in Brooklyn (May - June 2012). 

Compendium: Technics
is a public micro-conference with performances taking place over the course of two days:

Join us at CPR this Friday and Saturday!

Compendium: Technics
is a public micro-conference with performances taking place over the course of two days:

Friday, June 22, 6pm-10pm
Saturday, June 23, 3pm-10pm
Panel discussion: June 23 at 4pm

Suggested donation $5-15 at the door only.
All are welcome!

Center for Performance Research
361 Manhattan Avenue, Brooklyn
(L to Graham Ave.)

Performances by: Whitney Hunter, Jorge Rojas, Sister Sylvester, drearysomebody (Lindsey Drury), Anya Liftig, Hiroshi Shafer, Emily Wexler, Ivy Castellanos, Alejandro T. Acierto, Jessica Pavone, Charmaine’s Names, Brian Zegeer and BabyCopperhead, Toby Driver, and others.

The Compendium invites these artists to research their relationships with technology, technicalities, and technics. Artists across disciplines manipulate, access, and utilize objects and systems, interacting with technics that are present in performance situations, both as part of the technicalities of presentation, and as instruments, tools, devices, visibility and amplification aids, and as part of documentation, methodological means, and aesthetic and political vehicles.

We ask, how do artists use technical means to their ends? How are techniques and technology related and/or unrelated? How are technics/technology/techniques developed and chosen as part of artistic practice, using what kinds of concerns? Who has access to technology and techniques/technics and how do they commodify/become commodified and/or de-commodify/become de-commoditized?

In an exploration of these considerations, artists will present work to the public during two nights:

 Friday June 22: Hiroshi Shafer, Alejandro Acierto, Lindsey Drury, Charmaine Names, Ivy Castellanos, Amy Wexler and Sister Sylvester will perform in the CPR spaces in the absence of colloquially-defined “technology,” sans electricity, sans amplification, stripping the work of all forms of technics, even in some cases, attempting to perform without “technique.” Audiences must be present in the space to experience the work. Documentation will consist of written descriptions.

Saturday, June 23: Lindsey Drury, Sister Sylvester, Jorge Rojas, Rafael Sanchez, Anya Liftig, Jessica Pavone, Ivy Castellanos, Whitney Hunter, and Alejandro Acierto have access to CPR’s “cutting edge” technological array, including multiple projectors, sound system, and lighting grid, and may bring in their own technological devices, set-ups, electronics, and mechanisms. Audiences may view streamed performances from computers all over the world and performances will be documented on digital video.

A public round-table discussion on Saturday, June 23rd at 4pm will allow us to reflect on the collective research performed, involving the artists from the project and including other voices in live performance. Come be a part and see these incredible artists present new work!

About the Compendium

Over the course of 2012, The Compendium initiative will experiment with hybrid modes of curation, exchange, and presentation, producing exhibitions, performances, publications, and more.

The Compendium is comprised of artists who are deeply engaged with their communities. Organizing both as artists and as directors of alternative arts spaces, curators, members of ensembles and collectives, arts writers, and as agents of cultural influence, we form a “living compendium” to channel multiple agendas, intentions, and ideas into concrete support for artists and grassroots arts organizations.

The Compendium functions via face-to-face meetings, sharing time, funding, space, critical analysis, materials, transportation, residencies, publicity, skills, and other resources.

The Compendium organizers on this project are (in alphabetical order): Thomas Bell (Spread Art),Ian Colletti (Vaudeville Park), Christina DeRoos (Spread Art), Valerie Kuehne (The Super Coda), Brian McCorkle (Panoply Performance Laboratory, Varispeed), Esther Neff (Panoply Performance Laboratory, PERFORMANCY FORUM), Paul Pinto (thingNY, Seven Immediacies Series, Varispeed)

 

Bushwick Open Studios 2012

Spread Art Announces three events for Bushwick Open Studios 2012

 

Spread Art Summer Group Show V 

Spread Art’s 5th annual “Summer Group Show” will include the works of multiple visual artists working in a variety of mediums and feature the works of Spread Art’s current artists-in-residence,Thomas Bell, Christina deRoos, Valerie Kuehne, Brian McCorkle,and Esther Neff. Also on display will be works by , Ventiko, Erin Partridge, Erika Sabel, Panoply Lab, Jorge Rojas, Nicholas, Burgess, Aimee Chappell Hertog, Alix Maubrey, Justin Orvis Steimer, Christian Stolarz, Abigail Weg, Lara Goetzl, Michael Blase, Michael Pawlus and more. Installations, Photography, Painting, Video, Street Art, Drawing, Sculpture, Mixed Media.

Expanding on the single performance at last year’s Summer Group Show, Spread Art will host performances on Friday night from 8pm to 10pm and Saturday from 4pm to 10pm. Performances are curated by Spread Art’s artists-in-residence and include Live Music, Performance Art, Sonic Works, Live Video Streams and more. Participating performers include: Elinor Thompson, Esther Neff, Heather Warren Crow, Felix Morelo, Valerie Kuehne, Brian McCorkle, Kanene Holder, Rafael Sanchez, Miles Pflanz, Amy X Neuburg, Jane Gabriels, Diamond Terrifier with Visuals (Trouble).

You can watch the Live Stream Feed on Spread Art’s U-Stream Channel.   http://www.ustream.tv/channel/spread-art-bklyn

Dates & Times
Friday June 1st, 2012, 6pm - 10pm (performances at 8pm - 10pm)
Saturday June 2nd, 2012, 12pm-10pm (performances at 4pm - 10pm)
Sunday June 3rd, 2012, 12pm-6pm

 

"Spread Art Outdoors" at The Morgan Stop

“Spread Art Outdoors” will bring the art to the people!

Beginning on Saturday at 1pm, “The Parade of Art” will gather outside the Morgan stop L train on Bogart st and make its way to The Animamus Art Salon at the Starr Street Studios above the Bushwick Starr (207 Starr St 3rd floor) Come Join the Parade of Art Work and the ‘Speaker of the Dead’ gypsy brass folk punk band as we march throughout the neighborhood. To participate please email: Thomas@spreadart.org. 

“Live Stream Interviews” will be happening during “The Parade of Art” as well as in and around the Morgan L stop on Saturday from 3pm to 4pm and on Sunday between 12 and 7pm enjoy, "Speading Art Outdoors.   Join Spread Art Founder and Co-Director, Thomas Bell as he interviews festival attendees, artists and just about anyone else he sees on the streets.  You can watch the Live Stream Feed on Spread Art’s U-Stream Channel.   http://www.ustream.tv/channel/spread-art-bklyn

Begun at the first Bushwick Open Studios in 2006 and continued for Beta Spaces in 2009, for the third installment of “Bushwick Is…”, let us know what Bushwick is! When you see the “Live Stream Interviews” happening, that is your time to let Spread Art and the world know what you think “Bushwick Is…” in 2012.

There will be also be Live Performances both days in and around the Morgan L train stop!

Dates and Times:
Saturday June 2nd, 2012, 1pm - 1:30pm and 3pm -4pm
Sunday June 3rd, 2012, 12pm - 7pm

 

The Parade of Art

Beginning on Saturday at 1pm, “The Parade of Art” will gather outside the Morgan L train stop on Bogart St and march to The Animamus Art Salon at the Starr Street Studios above the Bushwick Starr (207 Starr St 3rd floor) Come Join the Parade of Art Work and the ‘Speaker of the Dead’ gypsy brass folk punk band as we march throughout the neighborhood. Live Performances along the way! The Parade of Art will also be streamed live to the internet. You can watch the Live Stream Feed on Spread Art’s U-Stream Channel.   http://www.ustream.tv/channel/spread-art-bklyn

Dates & Times
Saturday June 2nd, 2012, 1pm -2pm

 

 

Spread Art Co-Directors, Thomas Bell and Christina deRoos. Three New Videos!

Here are some videos of recent performances by Spread Art Co-Directors, Thomas Bell and Christina deRoos!  Enjoy.

 

playing with myself playing with yourself

Christina deRoos, Anya Liftig and Thomas Bell - collaboration at Bronx Art Space.

 

 

Thomas Bell, Christina deRoos, Anya Liftig
April 29, 2012
Bronx Art Space

Part of ITINERANT: FESTIVAL FOR CONTEMPORARY PERFORMANCE ART

March 30th - May 12th, 2012
Brooklyn, Queens, Manhattan, Bronx, Staten Island
New York City, USA

QMAD, Queens Media Arts Development is pleased to present ITINERANT, the annual festival for Contemporary Performance Art initiated by artist, Hector Canonge in Queens in 2011. This year’s festival is a citywide program to be presented in collaboration with galleries, artist-run spaces and public institutions in the five boroughs in New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in performance art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will present new and existing works exploring the program’s theme over a period of five weeks, March 30 - May 12, 2012.

 

Performancy Forum XX: Con(Text)

February 11th, 2012 at Vaudville Park - Brooklyn, NY

Thomas Bell and Christina deRoos -  part of PERFORMANCY FORUM XX: Con(Text). Thank you Esther Neff, co-director of the Panoply Performance Laboratory (PPL), for including us in this opportunity.

 

PERFORMANCY FORUM XX: Con(Text)

Hector Canonge!
Ivy Castellanos!
Birgit Larson!
Ellen O’Meara!
Thomas Bell & Christina deRoos!
Meghann Snow!

AND OTHERS!!!

 

 

Allison & Taya's Impressions: 2012 Spread Art Residency in Mexico

Below are reflections and photos from Allison & Taya De Long after returning from a week in La Manzanila, Jalisco, Mexico as part of Spread Art's residency program. We are grateful they were able to take part, and appreciate their positive contribution to the community. See more photos here.

 Our opportunity in Mexico, thanks to Spread Art, turned out to be an even richer experience than we had imagined!  Our location was right where all the action happens, near the plaza and right next to the church.  The day after we arrived, a bishop was visiting and there was a great celebration which included a parade, live entertainment, and a huge "pozole" feast!

On Saturday, we helped with a free art class for the local children.  There were over 20 enthusiastic kids in attendance.  They worked on 4 different projects during the class.  Two gringo artists living there in La Manzanilla give their time and materials(?) to put this on every weekend.

A couple days later we helped with an after school art class in the La Catalina Education Foundation building next to the elementary school.  It was fun to see some of the same kids there as the Saturday class.  Another afternoon we helped with an after school English class in the same location.  It turned out the woman teaching was a friend of ours from back home!  And she was there with her kids who we knew also which was fun for my daughter, Taya.

Our last day we were invited to come to the elementary school to help with the English classes that occur as part of the regular school day.  We saw many familiar faces that we had come to know during the week.  It was fun to see the kids in their school uniforms too!  We were surprised to see as many as 37 kids in one classroom.

We love the small, friendly size and safe feel of La Manzanilla.  We enjoyed being on the streets in town and having kids we had met in classes come up to us and say "Hola" and want to speak with us.  These connections were priceless and unforgettable.  We gave little of our time and were given so much more in return.  It was much better than a vacation just sitting on the beach day after day (but I admit we did a bit of that too!).

 

 

Spread Art BOS 2012 Hub Profile on the Arts in Bushwick Blog

Hub Profile: Spread Art

Posted on April 26, 2012 by jackiemabey

Established in New York by Thomas Bell in 2008, Spread Art is an artist-run center that seeks to foster international collaboration between artists and institutions through residency, exhibition and performance opportunities, and by encouraging  “kids and adults to explore their creativity and increase self-awareness through art.” Bell and co-director, Christina deRoos, answered a few questions by email on the origins of Spread Art and their participation in the community.

Please tell me about the origins of Spread Art and your own backgrounds as artists and art workers.

After curating exhibitions around New York prior to 2008, Founder and Co-Director Thomas Bell found a storefront space that was perfect for both an artist studio and exhibit gallery. After a month of building out the space, Spread Art opened on February 29th 2008. During the first year and a half, Spread Art served mainly as a gallery, hosting various group shows, fundraisers and performances.  In the summer of 2009 Christina deRoos joined as Co-Director. In early 2010, Spread Art began it’s Artist Residency program and the focus shifted to providing artists with low cost live/work space and producing events off site while still having the occasional performance and exhibit on site.

Thomas has been an artist his entire life beginning with music training at age 7, going on to study Jazz and Ethnomusicology in college.  It was then that he began exploring the visual arts, transferring his improvisational training in Jazz over to his visual work.  Thomas works primarily with acrylics, found objects, collage, installations and multi-media collaborative projects.

Christina deRoos is a visual artist working in photo/video, installation, mixed media and time-based forms. She frequently performs with experimental musicians and performance artists to collaboratively improvise integrated sound and visual landscapes.  She splits her time between Brooklyn and Detroit.

Prior to moving to New York, Thomas and Christina began organizing and curating both visual and musical events with Gemini Artist Productions, which they founded in Seattle in 2001. Thomas and Christina moved the company to New York in 2003 and continued to work on events and productions, including the 2005 NYC Wide Open Studios.  Gemini Artist’s last production was the organization of the first Bushwick Open Studios in Oct 2006.  Christina went on to be a co-founder of Arts in Bushwick in 2007 and Thomas Founded Spread Art in 2008

Part of the mandate of Spread Art is to support emerging artists. What is it about the Bushwick community that helps you to actualize that goal?

The community is full of emerging artists so there are limitless opportunities to include them in exhibitions and performance events that we present on site or in other locations. We also work with early-career curators as often as possible. Part of Spread Art’s goal is to support work that otherwise may not be seen, which includes supporting experimental and challenging art forms and content.

What made you set up in Bushwick versus another neighborhood in the five boroughs?

When we moved to NY from Seattle in 2003 we initially had a live/work space in Dumbo. We participated in a number of art events and festivals in that community, including the annual Art Under the Bridge open studios. We were fortunate to have a series of inexpensive live/work sublets and residencies which helped us keep costs low when we first arrived, so we were immediately able to show not only our own work but host group exhibitions and include artists who otherwise didn’t have a space to show.

We were excited to move to Bushwick because it felt full of opportunity and energy. There was a multicultural vibrancy in the neighborhood that inspired our creative thinking and doing. We rented a space in the 950 Hart building and continued to host group shows and help foster new events. Right away we were involved with  NYC Citywide Open Studios, which was an ambitious undertaking by Jesse Lambdin, with open studios events in every borough over the course of one month, with one borough featured each weekend.

Do you have any concerns about the neighborhood and the role art institutions play in the changing landscape of Bushwick?

Absolutely. There are many wonderful contributions that the creative sector makes to any community landscape. The contribution to gentrification is not one of them in our opinion. Bushwick is not unique in this and art institutions are not the only driver, but it is a part of the picture. 

A major motivator for our move to Detroit was to participate in and learn new ways of exploring community advocacy through the arts. Detroit has the creative energy and multicultural vibrancy Bushwick did in 2005, but on a much larger geographic and community scale. Detroit has, and will continue to have, a lot to share with other areas that seek a thriving creative community that develops from the bottom up is infused in all aspects of the city. 

There are top down initiatives at work as well, similar to NY and other areas that are evidenced by development-driven renaming of communities for instance. Yet the positive “all means all” spirit of the creative community here is predominant for us. We’re grateful to have an opportunity to learn from those who have been living and working in Detroit for decades, and to continue to learn from those living and working in Brooklyn.

How are you participating in this year’s Bushwick Open Studios?

Spread Art is a Hub Space this year as well as a sponsor.  We are going to have the Summer Group Show V, which has been held every year since 2008 during BOS.  There will also be performances here during the exhibit. Spread Art is also working on a BOS archive project and we will be interviewing artists and festival goers all week long in the streets and studios to be included as part of the archive.  Finally, we are re-launching a project that Gemini Artist Productions did during BOS 2006 titled, “Bushwick Is… .”  It should be a pretty busy BOS for Spread Art this year.

Any memorable moments from past Bushwick Open Studios you’d like to share?

During the lead up to the 2006 Bushwick Open Studios we had no idea how much participation would occur, and we made a conscious decision to define success in ways that didn’t include numbers of artists or attendees. It was about the process of putting on the event and thereby connecting individuals in the community. We started with things like “Bushwick Open Studi-Oh?” to capture the curiosity of whether we would have 1 studio participating or more. We used “Bushwick Open Studios – Make Of It What You Will” to keep the process-oriented, participant-driven, uncurated approach at the forefront. Ultimately we had a stellar response from artists in 21 days of registration and ended up with “Bushwick Open Studio-OH!” in some of the final fliers. The planning was a fun social exploration and a collaborative art project in itself.

You can learn more about Spread Art on their website and keep up with them on Twitter orFacebook.

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